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Spiders (2000) Director: Gary Jones reviews by Christopher Geary Perhaps best viewed as a commendable low-budget precursor to the successful Eight-Legged Freaks, this is the first of two kitsch big bug movies in the B-movie mould that provide a welcome relief from the slickly packaged but bland studio product currently swamping the genre. Marci (Lana Parrilla) is a college student and hack reporter who annoys her editor with farcical UFOlogy stories. After interviewing a couple of weirdoes who claim to be aliens stranded on Earth, she follows a flimsy excuse for evidence of a conspiracy that leads her to investigate a supposedly secret military base out in the desert. There, she and her two friends witness the crash of a space shuttle, and find that most of its crew are already dead, their bodies eviscerated. Only one astronaut survives, and he's dying from the bite of an oversized spider. Later, when Marci's gang sneak into the underground biological weapons lab run by an incompetent Majestic-12 agent, they discover the men in black's Project MIL ('Mother-in-Law') has created fast-breeding giant spiders using alien DNA. Apart from the overacting of the human villain Agent Gray (Mark Phelan), the sheer amateurishness of supporting players, and some clunky moments in the story - as when the computer whiz kid hacks into a military database to download plot details - Spiders is an enjoyable exploitation flick that consciously yet gleefully steals bits from The Faculty (1998), Aliens (1986), and, of course, The X-Files. There is an infected spaceman scene that recalls British classic, The Quatermass Xperiment (US title: The Creeping Unknown, 1955), while one manmade creature grows to monstrous proportions like the monster of Jack Arnold's effective Tarantula (1955). If the prolonged scenes where a handful of soldiers stalk giant spiders through the cobwebbed corridors of a subterranean military complex attempts to replay the bug hunt of Aliens, then young heroine Marci is clearly inspired by example of Ripley, and the somewhat plump Parrilla gets into bug-bashing action with gusto in the climax, happily blasting one car-wrecking arachnid to slime with a rocket launcher. The all-important effects are provided by companies such as KNB, and include digital mattes, mechanical props and special make-ups. These are variable in quality, but their very inconsistency simply adds to the overall charm of this kind of movie, and notable set pieces like the car-crushing urban rampage are enjoyably crazy.
Spiders 2 (2001)
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